Troubleshooting the scanner. I've installed the software onto my laptop but there's a problem. Need the driver for a PS3 eye and find out how to change the camera from my laptop camera to the PS3 in the software.
http://nuigroup.com/forums/viewthread/2921/ Following instructions from this site.
However, my house has no flat walls or floors. Everything is textured. So I'll have to wait til I have my car in order to truly start troubleshooting. I can't bike with my laptop and delicate objects :(
Friday, February 25, 2011
Wednesday, February 16, 2011
Talk with Derric
ELISSA CLARE [11:08 AM]:
Hey Derric!
Derric Clark [11:10 AM]:
heya, got your email, sorry for the delay in getting back to you, I have been out sick more than I care to admit
ELISSA CLARE [11:10 AM]:
Damn that sucks =\
Derric Clark [11:10 AM]:
I need to loop Susan White into our conversation as she should be able to get us the funds to move forward, I will forward your email to her as well as my desire to support this project
ELISSA CLARE [11:11 AM]:
Thanks you! ^^
Derric Clark [11:12 AM]:
np, I look forward to seeing this thing happen
ELISSA CLARE [11:13 AM]:
You and me both. I can't wait to see the end product. Haven't decided what kind of creature mask I want to make.
Hey Derric!
Derric Clark [11:10 AM]:
heya, got your email, sorry for the delay in getting back to you, I have been out sick more than I care to admit
ELISSA CLARE [11:10 AM]:
Damn that sucks =\
Derric Clark [11:10 AM]:
I need to loop Susan White into our conversation as she should be able to get us the funds to move forward, I will forward your email to her as well as my desire to support this project
ELISSA CLARE [11:11 AM]:
Thanks you! ^^
Derric Clark [11:12 AM]:
np, I look forward to seeing this thing happen
ELISSA CLARE [11:13 AM]:
You and me both. I can't wait to see the end product. Haven't decided what kind of creature mask I want to make.
Tuesday, February 8, 2011
Goals and Objectives
Goal: To perfect a new process for making a Latex mask by using a 3D scanner and 3D model printer while also proving the process is more efficient and less expensive.
Objectives:
Objectives:
- Create a 3D Scanner using the 3D model printer, laser pointer, and PS3 camera.
- Install the 3D scanner software
- Scan a human face
- Troubleshoot any problems with the scanning software or file translation into ZBrush.
- ZBrush model the creature face
- Create a negative model of the creature face
- Split the object into sections so that the printer may print the pieces
- Print the model
- Glue the model pieces together
- Smooth out any rough patches on the printed model
- Create a Latex positive from the printed model
- Paint the latex mask.
- Collect time and money acruwed during the process.
- Compare the time of the processes in order to evaluate which process is faster.
- Compare the cost of the processes in order to evaluate which method is cheaper.
Thursday, February 3, 2011
Timeline
Not quite sure I completed this section correctly. Am I to write a chronic piece of what transpires? Or am I to amuse the audience with what was completed faster than expected, if and when the gantt chart is changed? We'll see.
I'm dreading on starting the Review of Related Materials as there are few related materials that aren't all similar to each other. When I searched for cast claustrophobia I found that it existed as a condition but little was spoken about it. Mainly all articles related solely on claustrophobia as a whole.
I'm dreading on starting the Review of Related Materials as there are few related materials that aren't all similar to each other. When I searched for cast claustrophobia I found that it existed as a condition but little was spoken about it. Mainly all articles related solely on claustrophobia as a whole.
Monday, January 31, 2011
No Epic Scanner :(
My teacher was a bit worried that I was going to give up if the scanner didn't go through. I mean come on, do I look like some lazy guy from UAT? Anyway, I checked with Derric immediately after my talk with Ron and found out that the scanner is slated for being bought in the Summer. GIANT bummer! Since I graduate after summer is over and well... summer is not this semester. So I asked him if it would be possible to get the PS3 camera for the make-shift 3D scanner. I have some doubts this will work honestly. But I'll start printing the pieces tomorrow.
I also wrote the "Innovation" part of my Innovation Brief. Here's what it has got to say. Oh wait before that, let me comment that its hard to not write in first person when the directions say to write what I want to happen in my innovation or w/e.
_____________________________
As a child, the movie, Jurassic Park, kept me in awe for many years. This single movie spurred many of my past career dreams of being a paleontologist, a creative writer, sculptor, animatrionics creator, geologist, actor, veterinarian, modeler, and animator. In 2010, my inspiration still continued to flow from Jurassic Park and simular to it and in which lead me to the Character Make-Up and Special Effects class lead by Professor Sharon Bolman. It was during this time that I had taken a break from my previous SIP in order to find a much more suitable choice for myself. The idea had not come to me until after I had modeled and 3D printed a replica of a metal jaw belonging to a dragon from a video game. As Sharon and I discussed the problems of the printed jaw, we diverted our conversation into latex masks. Suddenly, an innovation sprang to my mind particularly when we discussed the claustrophobic effect on actors when they are casted. Have the people of the entertainment business ever thought of 3D printing a life-cast of an actor by simply scanning them digitally? I asked Sharon and later I searched the web and found no such happenstance.
The original process of creating a latex mask works as such: an actor would first be completely covered in alginate, a thick liquid substance that later hardens. The first step alone brings up a particular problem. Many who are life-casted feel the process as claustrophobic as this thick liquid covers your entire head save for breathing holes at the nose or mouth. Once this is done, the actor wiggles their head and face free of the cast and the next stage begins. The artist would first need to make a positive mold of the alginate cast from a plaster. Unfortunately, the negative cast of alginate will no longer be useful so if another positive plaster cast is needed, the actor would once more need to be covered in alginate. Each of these substances can be picky at times on their hardness and easily broken if not careful. Once this is done, the artist begins to create the look of the mask by adding clay to the positive plaster cast. Continuing on, the clay on the positive plaster cast is then covered in another coat of plaster in order to create a negative cast of the mask. Once dry, both plaster molds are pulled apart in which at this point, the clay design is ruined a good percentage of the time. Latex is then poured into the negative plaster mold which is imprinted with the mask details. Finally, the latex mask is wiggle free of the negative plaster cast and you've got your mask.
The steps to making a mask the original way are very time consuming and if the artist messes up one step, the process will need to start over. With this innovation, I plan to remove almost all of these steps. The process will be less messy and quite possibly save money in the long run. What is proposed is that the actor is digitally scanned and a 3D model of their head is brought into a software such as Maya or ZBrush. Unlike the original method, this process never requires the actor to be scanned again unless major facial changes have occurred. Plaster casts are not timeless and will eventually deteriorate with use. Using the 3D model in the computer, the artist can change the facial designs according to their idea of the mask. Once the new 3D model is made, it will be reverted so that when printed using a 3D printer, it will essentially be a negative cast. There may be problems in which the 3D printer is not large enough and the cast will have to be made in segments in order to be printed in 3D. Pieces can take from 2-12 hours depending on complexity and size. As soon as the pieces are glued together and the negative cast is whole, the artist can now make multiple latex masks from the mold many times over as the 3D material never deteriorates as plaster would.
I also wrote the "Innovation" part of my Innovation Brief. Here's what it has got to say. Oh wait before that, let me comment that its hard to not write in first person when the directions say to write what I want to happen in my innovation or w/e.
_____________________________
As a child, the movie, Jurassic Park, kept me in awe for many years. This single movie spurred many of my past career dreams of being a paleontologist, a creative writer, sculptor, animatrionics creator, geologist, actor, veterinarian, modeler, and animator. In 2010, my inspiration still continued to flow from Jurassic Park and simular to it and in which lead me to the Character Make-Up and Special Effects class lead by Professor Sharon Bolman. It was during this time that I had taken a break from my previous SIP in order to find a much more suitable choice for myself. The idea had not come to me until after I had modeled and 3D printed a replica of a metal jaw belonging to a dragon from a video game. As Sharon and I discussed the problems of the printed jaw, we diverted our conversation into latex masks. Suddenly, an innovation sprang to my mind particularly when we discussed the claustrophobic effect on actors when they are casted. Have the people of the entertainment business ever thought of 3D printing a life-cast of an actor by simply scanning them digitally? I asked Sharon and later I searched the web and found no such happenstance.
The original process of creating a latex mask works as such: an actor would first be completely covered in alginate, a thick liquid substance that later hardens. The first step alone brings up a particular problem. Many who are life-casted feel the process as claustrophobic as this thick liquid covers your entire head save for breathing holes at the nose or mouth. Once this is done, the actor wiggles their head and face free of the cast and the next stage begins. The artist would first need to make a positive mold of the alginate cast from a plaster. Unfortunately, the negative cast of alginate will no longer be useful so if another positive plaster cast is needed, the actor would once more need to be covered in alginate. Each of these substances can be picky at times on their hardness and easily broken if not careful. Once this is done, the artist begins to create the look of the mask by adding clay to the positive plaster cast. Continuing on, the clay on the positive plaster cast is then covered in another coat of plaster in order to create a negative cast of the mask. Once dry, both plaster molds are pulled apart in which at this point, the clay design is ruined a good percentage of the time. Latex is then poured into the negative plaster mold which is imprinted with the mask details. Finally, the latex mask is wiggle free of the negative plaster cast and you've got your mask.
The steps to making a mask the original way are very time consuming and if the artist messes up one step, the process will need to start over. With this innovation, I plan to remove almost all of these steps. The process will be less messy and quite possibly save money in the long run. What is proposed is that the actor is digitally scanned and a 3D model of their head is brought into a software such as Maya or ZBrush. Unlike the original method, this process never requires the actor to be scanned again unless major facial changes have occurred. Plaster casts are not timeless and will eventually deteriorate with use. Using the 3D model in the computer, the artist can change the facial designs according to their idea of the mask. Once the new 3D model is made, it will be reverted so that when printed using a 3D printer, it will essentially be a negative cast. There may be problems in which the 3D printer is not large enough and the cast will have to be made in segments in order to be printed in 3D. Pieces can take from 2-12 hours depending on complexity and size. As soon as the pieces are glued together and the negative cast is whole, the artist can now make multiple latex masks from the mold many times over as the 3D material never deteriorates as plaster would.
Sunday, January 30, 2011
A new start....
It seems I write a lot of these titles. A new beginning. Starting over. etc. All in my blogs. Hah. Well in this case I'm REALLY changing up some things.
I've changed my whole innovation. Here's my inquiry.
I've changed my whole innovation. Here's my inquiry.
While creating a latex mask for Halloween or the big screen, artists can run into several walls that they would have to hurtle over to complete their mask. The first step in creating a mask is to create a life cast of the actor with alginate. They are consumed by the alginate save for a opening for breathing at either the mouth or nose. This part can be very claustrophobic for some people. With this innovation, the 3D Printed Latex Mask would instead scan the actors face, eliminating the mess and the chances for a claustrophobic attack on the actor. The method could also provide a cheaper and less wasteful way of creating the latex mask. Originally, one would have to create several casts, both positives and negatives from clay, plaster, and then finally latex. The 3D Printed Latex Mask requires only a printed negative cast via a 3D printer and the final latex mask. However, while it may seem like the limited casts would be the cheaper route, it could be that the 3D printed negative cast's cost could equal all the steps in the original process before the final latex mask.
Yep, so there you have it, my innovation.
Today I worked on the Inquiry but in the past I've talked a bit to Derric and found a few sources to use for my review of related works. Derric also showed me a link to a site where I could make my own 3D scanner with a PS3 camera.
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